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Log Cam

Record log and ProRes video from RAW frames on iPhone

2026-06-09

Product Introduction

  1. Definition: Log Cam is a professional-grade iPhone camera application categorized as a professional filmmaking tool and mobile cinematography app. It is specifically engineered to record high-quality, post-production-friendly log video directly from the iPhone's RAW image sensor data.
  2. Core Value Proposition: The core value of Log Cam is to provide mobile filmmakers and content creators with a professional log video workflow on iPhone, enabling cinematic color grading and post-production flexibility by recording HEVC and ProRes video with industry-standard log gamma curves and comprehensive monitoring tools, all without requiring a subscription.

Main Features

  1. Professional Log Video Recording from RAW Frames: Log Cam's foundational feature is its ability to record HEVC (4:2:0 and 4:4:4 up to 300 Mbps) and ProRes video files derived directly from the camera's RAW sensor frames. This process ensures a cleaner signal with more latitude for grading compared to applying a log curve to a standard compressed video feed. ProRes recording is supported on iPhone 13 and later, including non-Pro models.
  2. Comprehensive Log Gamma and Color Space Support: The app includes a wide array of logarithmic gamma curves used in professional filmmaking, such as Apple Log, Apple Log 2, Fuji F-Log/F-Log2 C, ARRI LogC3, Sony S-Log3, and Panasonic V-Log. It also supports standard Rec.709, HLG (Hybrid Log-Gamma), and PQ (Perceptual Quantizer) for HDR workflows, allowing filmmakers to match their iPhone footage with footage from other cinema cameras.
  3. Advanced On-Set Monitoring Tools: To facilitate accurate exposure and focus decisions while recording in flat log profiles, Log Cam provides essential cinema monitoring assists. These include false color for exposure analysis, zebras for highlight clipping warnings, and a Rec.709 gamma assist that applies a temporary display look to simulate a finished grade. A RAW linear histogram is also available for precise luminance evaluation.
  4. Flexible LUT Support for Preview and Baking: The application supports Look-Up Tables (LUTs) for two critical functions: LUT preview monitoring, where a creative or technical LUT is applied only to the viewfinder for on-set visualization, and baked-in LUT recording, where the LUT's color transformation is permanently applied to the recorded video file, streamlining the post-production process for faster delivery.
  5. ProRes and High-Bitrate HEVC on iPhone: Log Cam enables ProRes recording, the industry-standard intermediate codec, on compatible iPhones, bypassing Apple's typical restriction of ProRes to the Pro models. It also offers HEVC 4:4:4 recording at high bitrates (up to 300 Mbps), providing a more edit-friendly and higher-quality alternative to the standard 4:2:0 codec found in most consumer apps.
  6. Full Manual Camera Controls and Format Flexibility: The app provides complete manual control over ISO, shutter speed, focus (including manual focus with distance slider), and white balance, ensuring shot-to-shot consistency. Users can choose between Open Gate (full sensor readout) for maximum framing flexibility or a standard 4K recording format. It also includes practical tools like vignette correction, noise reduction, and 180-degree rotation for use with Depth of Field adapters.

Problems Solved

  1. Pain Point: The standard iPhone camera app and many third-party alternatives output video in highly compressed, "baked" color spaces with limited dynamic range and minimal headroom for professional color grading. This log gamma limitation restricts the iPhone's potential as a serious filmmaking tool.
  2. Target Audience: Indie Filmmakers, Content Creators, Video Production Professionals, Mobile Journalists, and Cinematographers who need to integrate iPhone footage into professional post-production pipelines or require greater creative control over the image directly from capture.
  3. Use Cases: Documentary filmmaking where a compact, discreet camera is needed but post-production control is essential. Music video and commercial production as a B-camera or for specialized shots requiring quick turnaround. Narrative film production for specific scenes where the iPhone's form factor is an advantage. Any scenario requiring ProRes log footage from an iPhone for seamless integration with footage from ARRI, Sony, Blackmagic, or RED cameras in editing software like DaVinci Resolve or Final Cut Pro.

Unique Advantages

  1. Differentiation: Unlike camera apps that apply a log "look" to a standard video stream, Log Cam processes video from the RAW sensor data. This provides a fundamentally cleaner starting point with greater potential for dynamic range recovery and color manipulation in post. It also distinguishes itself by offering ProRes and HEVC 4:4:4 recording on non-Pro iPhones, a feature typically locked down by Apple.
  2. Key Innovation: The key innovation is the RAW-frame-based log video pipeline. By recording encoded formats (HEVC/ProRes) from unprocessed RAW frames rather than from a pre-processed video signal, Log Cam captures a more linear and information-rich source, solving the problem of muddy, banding-prone log footage from other mobile solutions.

Frequently Asked Questions (FAQ)

  1. What is the difference between Log Cam and RAW Cam? Log Cam and RAW Cam are two separate applications for distinct workflows. Log Cam records encoded video (HEVC, ProRes) with log gamma curves, ideal for edit-ready files and standard color grading pipelines. RAW Cam records true RAW video (CinemaDNG/MCRAW), providing maximum flexibility for advanced VFX, high-dynamic-range grading, and professional finishing, but at the cost of much larger file sizes and a more complex post workflow.
  2. Can Log Cam record ProRes on my iPhone 13 or 14 (non-Pro model)? Yes. A key advantage of Log Cam is that it supports ProRes recording on iPhone 13 and later models, including the standard iPhone 13/14/15, not just the Pro variants. This makes professional-grade intermediate codec recording accessible to a wider range of users.
  3. Which log formats does Log Cam support? How do they work? Log Cam includes Apple Log, Apple Log 2, Fuji F-Log, Fuji F-Log2 C, ARRI LogC3, Sony S-Log3, and Panasonic V-Log, among others. These are mathematical curves that compress the high dynamic range of the RAW sensor data into a logarithmic encoding, preserving more highlight and shadow detail for flexible color grading in post-production software.
  4. Do I need to subscribe to use Log Cam? No, Log Cam is offered as a one-time purchase with a lifetime license. There are no recurring subscription fees required to access or update the app.
  5. What monitoring tools are included for exposing log video correctly? Log Cam provides false color exposure analysis, zebra patterns for overexposure warnings, and a Rec.709 gamma assist that applies a temporary look-up table (LUT) to the viewfinder. This simulates a finished color grade, making it easier to evaluate exposure and composition while shooting in flat log profiles. A RAW linear histogram is also available for precise luminance monitoring.

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